In this new short film, director Alex Gorosh walks us through next week’s total solar eclipse and explains why it’s so important to see it. The mix of archival footage, scientific explanation, and a brief outdoor simulation to demonstrate scale similar to his 2015 video about the solar system, all make a compelling emotional argument that this eclipse shouldn’t be missed. Just make sure you’re prepared.
Brazilian designer Fabio Araujo digitally composes images of abandoned sites to create undesirable islands, small patches of earth ripped up from long neglected corners of civilization. The series, Abandoned Places, exists both as image and video as Araujo animates discrete elements of the works to play in a loop. These areas serve as the only “living” aspect in-frame, focusing on a single deer or bubbling creek that has managed to survive amidst crumbling architecture and rusted water towers.
Araujo explores a similar island concept in another work titled Favela, a much larger creation that seems to float through the sky rather than a flat matte background. You can see more of Araujo’s digitally composed pieces on his Behance and Instagram.
Meet our faculty and learn about our courses. Get the inside scoop on career opportunities and discover the latest on what we have to offer.
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— Advertising: Tuesday, August 22, 209 East 23rd Street, Room 502
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— Fine Arts: Drawing, Painting, Sculpture and Printmaking: Monday, August 28, 133/141 West 21st Street, Room 602C
— Illustration and Cartooning: Thursday, September 7, 209 East 23rd Street, Room 311
— Interior Design: Thursday, September 7, 133/141 West 21st Street, Room 1104C
— Photography: Thursday, August 31, 214 East 21st Street, Room 205A
— Visible Futures Lab: Wednesday, September 6, 132 West 21st Street, 7th floor, (session begins at 6pm)
— Visual Narrative: Thursday, September 7, 136 West 21st Street, 11th floor
For more details on each information session please visit sva.edu/ce.
Hungarian artist Agnes Herczeg creates figural lace works of female forms, capturing figures in moments of contemplation or work. In one piece the subject stands at a loom, appearing to weave herself from the included fibers. In each of her works Herczeg uses all natural materials, incorporating small pieces of wood or other found materials to serve as a sculpture’s bed frame, hair accessory, floating vessel, or small shelf.
Herczeg studied textile conservation at the Hungarian University of Fine Arts, and over the years has gathered several methods of embroidery and lace-making to use in her work such as needle lace, pillow lace, macramé, and more. You can purchase her lace sculptures directly from her website, both attached to found natural objects and as individual lace works. (via Metafilter)
Did you really click on that clickbaity title? Come on! Really? I guess these cheesy headlines do work! Maybe I should title all my posts like Buzzfeed?
Ha ha, no, I’m just kidding. I would never do that. That’s just terrible. I just wanted to see what happened if I did it. 🙂
But, seriously, let’s talk châteaux (large country houses or castles, plural of château). In June, I went to France for my birthday to explore the famed Loire Valley, with its rolling hills, exquisite wineries, wide rivers, and grandiose castles.
This region of fertile land was the seat of royal power during early French history. Kings, queens, and other royalty built grand palaces here as they cemented their rule of this vital trade region. But by the middle of the 16th century, power shifted to Paris, as kings spent less time wandering the kingdom and more time there (and who wouldn’t want to spend more time in Paris?).
However, French royalty still expended considerable money building beautiful châteaux. The Loire Valley has over 80, and it would take a lot more of my limited time to see them all. But I did manage to visit a bunch — and find out ways to do so on budget! Here are the highlights:
This castle is one of the most popular in the region, thanks to its grandeur, detailed façade, intricate decorations, and large gardens. It was original built by Francis I in 1519 as a hunting retreat. However, he died that same year, and the castle remained half built. It fell into disrepair for nearly 80 years until Louis XIV visited in 1639. He ordered it finished based on the original plans. (Note: This is a running theme for a lot of châteaux in the region.)
Entering the castle grounds and seeing this massive ornate structure elicited an audible “wow” from my mouth. I marveled at the building’s intricate masonry and beautiful spires. The interior’s massive double-helix staircase inspired by Leonardo da Vinci creates a focal point that draws your attention as you move through the house. I loved the symmetry of the large halls and old paintings of royalty.
This place was gigantic and took hours to see. There are incredible views from the roof, but my favorite moments were mostly in the gardens, just staring at every inch of this palace. Truly fit for a king — or at least a zillion daily tourists!
Tip: I highly recommend the audio tour. It’s given on an iPad that allows you to zoom in on paintings and artifacts, provides an overlay of what the room would have looked in the 17th and 18th centuries (even including images of what it looked like being built), and gives tons of detailed information. Worth every euro!
How to get there – You can take a 25 minute shuttle or taxi from the nearby city of Bloise.
Built into the side of a hill, this château was originally a keep (fortified tower) constructed in the 14th century for King Philip Augustus. When the place was acquired by a local nobleman in the early 16th century, the original keep was preserved, the rest of the structure was razed, and a fortress was erected (with a cool moat!). During the French Revolution, the property was confiscated by the state, and in the early 19th century, Emperor Napoleon gave it to his brother, Jérôme Bonaparte. In 1906, the Carvallo family (the current owners) purchased the property and poured an enormous amount of time and money into it to make it what it is today.
However, despite the grand exterior of the castle, I found the interior lacking, and I moved through it pretty quickly. Other than the ornately decorated first rooms, the interior is very bland (and kind of worth skipping all together).
The main draw of this château is its famous Renaissance gardens, which include a water garden, ornamental flower gardens, and vegetable gardens, altogether containing over 60,000 vegetables and 45,000 bedding plants! These are laid out in formal, geometric patterns separated with low box hedges. It’s a beautiful place to wander and relax, with a stream running through it and many spots to sit and contemplate. There’s also an adjacent woods with a few trails that not many people wander around, so you have them all to yourself! Overall, the gardens and woods are the best part of this castle, and that’s where your time should be spent!
How to get there – There’s a bus from Tours on Wednesday and Saturday. If you go any other day of the week, you’ll need a car.
Since you have to stop in Blois to see Chambord, the town castle makes an easy addition. Originally a medieval fortress built in the 9th century, it was taken over by Louis XII in 1498 and transformed into a palace in the Gothic style that was a center of power for centuries. (Fun fact: In 1429, Joan of Arc was blessed here before going to fight the British in Orléans.)
There’s not much left of the medieval fortress. The main part of the castle was built in 1515 by François I in Renaissance style and includes a famous buttressed circular staircase leading to the private sleeping rooms and ballrooms.
While this castle is small and the exterior less ornate than others in the region, I found the interior to be second to none, with intricately restored rooms, detailed information plaques, and stunning period furniture. Outside, you get sweeping views of the town and river. It was a really lovely castle.
How to get there – From Paris, you can take a two-hour train. From Tours, it’s about 45 minutes.
This was my overall favorite castle. It may not be as ornate or large as the others, but it’s the total package: a fairy-tale-like structure with stunning interiors, beautiful gardens, and great views of the Loire River. Confiscated by the monarchy in the 15th century, it became a favored royal residence and was extensively rebuilt by King Charles XIII (who died here in 1498 after hitting his head on a door (seriously)). It was built into a lavish Renaissance palace by his successors but eventually fell into decline in the second half of the 16th century. It was greatly damaged in the French Revolution before being renovated in the 19th century.
That is what I really loved about the palace: the mix of architectural styles. You had the Gothic portion with its vaulted roofs, the Renaissance sleeping chambers and exteriors, and the grandly designed rooms from the 19th century. You can see the mark of history throughout the palace. I also loved the large, winding carriage ramp that descended from the castle into the town and the terraced gardens filled with oak trees. There’s also the church that contains the remains of Leonardo da Vinci! Really, this place is top-notch!
How to get there – You can take a thirty minute train ride from Tours. The castle is a 10 minute walk from the station.
Built by Hugues d’Amboise in the middle of the 15th century, this château was acquired in 1490 by Charles VIII. There aren’t many rooms to explore, but they do retain that Renaissance charm. What makes it famous was that Leonardo da Vinci lived here from 1516 to 1519. Today, the castle is a testament to him, with marvelously restored rooms and a basement filled with replicas of his famous inventions. Additionally, be sure to go outside and look up, as the exterior has tons of Italian influences. The grounds are stunning and contain a restaurant, mill, and several ponds. The extensive gardens, complete with geese, streams, and many walking trails and places to escape and reflect, were an amazing addition, and it’s easy to imagine Leonardo walking around, looking for inspiration.
How to get there – You can take a thirty minute train ride from Tours. The castle is a 30 minute walk from the station.
Azay le Rideau
Originally built in the 12th century, the castle was burned to the ground in 1418 by Charles VII. It remained in ruins until 1518 when it was rebuilt by a local noble. However, the French king Francis I confiscated the unfinished château in 1535 and gave it to one of his knights as a reward for his service, who then left it half built. The castle’s condition deteriorated through the centuries until, in the 1820s, the new owner undertook extensive alteration work to make it the beauty it is today.
A lot of the place was (still) under construction when I was there, so not all the rooms were open. The interior was simple and well explained by signs but lacked any ornate furniture, paintings, or fixtures. This place had my favorite exterior, though. I loved the square configuration, with its turrets overlooking the garden; the fact that it’s built on a pond; and the long cobblestone driveway leading in from town. It’s easy to imagine royalty trotting down in their carriages to the wrought-iron gates on their way to attend a ball.
How to get there – You can take a thirty minute train ride from Tours. The castle is a 20 minute walk from the station.
Chenonceau is one of the best-known châteaux in the Loire Valley. It was built in 1514 on the foundations of an old mill. In 1535, it was seized by King Francis I for unpaid debts. Then in 1547, Henry II gave it as a gift to his mistress, Diane de Poitiers (now one of the most famous women in French history). Diane oversaw the planting of extensive flower and vegetable gardens. In fact, the gardens are still laid out in her original design.
After Henry died, his widow Catherine de’ Medici (also one of the most famous women in French history) forced Diane out of the castle and made Chenonceau her residence. (Fun fact: In 1560, the first-ever fireworks display seen in France took place here.) In 1577, she extended the grand gallery across the entire river, making the château what it is today. After she died, the castle bounced around various royalty and their mistresses, was luckily spared destruction in the Revolution, and then was renovated and sold a bunch more times before it became a state property.
Walking through a forest that opens up on two gardens (still maintained in their old style), you see this beautiful, thin castle that spans a river. The interior is quite small (it’s longer than it is wide), and while the rooms are well preserved, they are often very crowded since they are so small. They’re beautiful, but it’s rather nice to go into the gallery and stare out across the river. The gardens were cool to see in bloom, and there’s even a little maze on the grounds (though it’s easy to get out). (Another fun fact: This castle divided Vichy and German-controlled France and was often used to smuggle Jews to safety.)
How to get there – The castle is a 35 minute train ride from Tours.
Tips for visiting the châteaux
So how do you visit all these beautiful castles (and the 70+ not listed here)? They are pretty easy to visit — all but a handful are accessible by bus or train, and those that aren’t are usually only about a 20-30-minute bike ride from the nearest town. But admission fees of 10 euros a pop can really add up and make castle-hopping a really un-budget activity. However, there are a few ways to save money on the castle experience:
- The tourism office in Tours sells discounted tickets, so it’s best to buy many of your tickets there. They are 1 to 2 euros off the price at the castles.
- Most of the castles are near train stations (the farthest I walked was 20 minutes to the Azay castle), so there is no need to take one of the expensive tours that whisk you to a bunch of châteaux in a short period of time. Plan your visit around the trains and buses.
- For castles not near the train station, you can rent bikes near the tourism offices. A bike is 15 euros for the day.
- If you want to drive, this region is best explored by car so you can see everything. Car rentals cost about 30-40 euros per day.
- Most of the castles sell food that’s overpriced, even by French standards. However, you can bring your own food and water, so take a little picnic to eat on the grounds and save yourself a ton of money!
My only regret is that I didn’t have more time to see even more castles. It can be crazy spending 20-30 euros a day just on castles, but I found each one beautiful, unique, and filled with history that gave me a greater understanding of the region. Even if you’re not as castle-hungry as I am, be sure to visit some of these majestic places. Even the popular ones are worth the crowds.
You can visit many on a day trip from Paris, but I suggest roaming the region for at least a few days, taking in the castles, drinking an obscene amount of wine at an outdoor café, and soaking up some of the history, charm, and culture that makes France the special place that is.
Crown shyness is a naturally occurring phenomenon in some tree species where the upper most branches in a forest canopy avoid touching one another. The visual effect is striking as it creates clearly defined borders akin to cracks or rivers in the sky when viewed from below. Although the phenomenon was first observed in the 1920s, scientists have yet to reach a consensus on what causes it. According to Wikipedia it might simply be caused by the trees rubbing against one another, although signs also point to more active causes such as a preventative measure against shading (optimizing light exposure for photosynthesis) or even as a deterrent for the spread of harmful insects. (via Kottke, Robert Macfarlane)
German photographer Frank Kunert builds miniature scenes that at first glance appear like mundane depictions of everyday domestic and urban settings. However after glancing at the photographs longer, one is able to dissect the strange anomalies found in his playgrounds, kitchens, and parks, noticing that his half pipe has the markings of a tennis court and his children’s slide leads straight onto a busy highway.
“On the surface, these photographs confront us with all of the hollow words, catchphrases and banalities we encounter in our daily lives,” says Dr. Christine Donat, who provided the text for Kunert’s online portfolio. “The stereotypical and senseless aspects of human communication cannot be unveiled more convincingly than in their literal conversion into a visual medium.”
The works are a part of Kunert’s series Photographs of Small Worlds, handcrafted models that play with the audience’s perception through the use of darkly satirical twists. Each miniature set is created over the course of several weeks to months, and are not captured until they can perfectly convey the scene without digital assistance.
Kunert’s upcoming solo exhibition at the Museum Boppard from September 10 to January 28, 2018 shares the same name as his most recent photo book, Wunderland. You can view more of his miniature works and past photo books on his website. (via Cross Connect Magazine)